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It transpires, however, that the writing and recording process was a long and convoluted journey that took him down many different avenues and he is still fretting about whether he has got it right, and how to stay on top of all the different promotional elements surrounding the release.

“Some people have just got a capacity for creativity that’s unbelievable! “I mean look at Lady Gaga, she comes at you from every angle, it’s like she turns into a pack of velociraptors, you’re looking at one Lady Gaga and another four come and bite you in the ass.” His air of anxiety appears to stem from an essential question about whether he is good enough to merit the attention he gets.

I look at photos, I was airbrushed to within an inch of my life. I think a lot of people have made up their mind that I am just some diddy who sings nice songs with an acoustic guitar.” He had an early champion in late, legendary music executive Ahmet Ertegun, founder of Atlantic records, who took Paolo under his wing after seeing him perform in New York.

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Thinking about it brings out a side of me that is self-conscious and insecure and vulnerable. As soon as I start singing, all of that goes out the window.

Emerging on stage in a white t-shirt, blue jeans and desert boots, the 30-year-old played a near three-hour set that included material from all of his three studio albums.

You’re saying things that maybe you can’t even say to the people that matter 'cause you’re too close to tell them.” In the past he has written very directly about relationships, and recently broke up after a decade with his long term pre-fame girlfriend, Teri Brogan.

“You go around on tour proclaiming with your chest out how amazing this person is and how much you love them but the person that you care about so much is at home on their own.

When he first appeared in 2006 with a rag bag of pop, rock and soul on his two-million-selling debut, These Streets, he seemed just another in a wave of lightweight pretty boy singer-songwriters including James Blunt and James Morrison.

“I feel like I am constantly remedying whatever I fell into when I started.

“We are in a time now when there’s nothing precious about music anymore,” frets Paolo Nutini.

“People make you feel like a bad guy for asking for seven quid for your album, like you are slapping them in the face, when they’ll go and pay two grand for a scarf somebody knitted in a sweat shop and stitched a designer label on.” Several digressions later, Nutini is telling me how precious he thinks music really is.

“I don’t think I am, but I had to think about it.” His conclusion was “there’s definitely worse folk than me. ” On stage, though, playing music with his extraordinary ten piece band The Vipers, all doubts about his vocation disappear.

“When you go to do what you do, then do it with conviction or just forget it, that’s my approach.

An acoustic version of Aztec Camera’s 1987 hit ‘Somewhere In My Heart’ kicked off the performance, delighting fans with its choppy riffs and catchy melody.

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